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3CRIME

What determines a criminal? The U.S. functions on an adversarial system of justice meant to determine innocence or guilt — yet our system is fraught with prejudice, racism, and oppression. For our third issue, Contango presents contributions that explore where crime falls in and out of the law.

Contango Journal Issue 3 — Crime Contango Journal Issue 3 — Crime interior

Alexandra Drexelius is an archivist and bookshop assistant at the Graham Foundation for Advanced Studies in the Fine Arts. She received a B.A. in Art History from the University of Chicago. Her research interests include the intersection between art and politics in the post-war period. M.W. Cronin is a law student living in Chicago, Illinois.

Chandler James is a PhD student in Political Science at the University of Chicago. He researches the presidency, public opinion, and populism. Prior to graduate school, Chandler worked as a congressional staffer.

Jameson Paige is a writer and curator based in Chicago.

Jacqueline (aka Jae) Kim is a multi-disciplinary artist whose projects include narrative film, environmental installations, and social practice. Since moving to Los Angeles 25 years ago, she has taken a specific interest in life lived in public.

Johnny William Lane is the oldest of four boys. He grew up on the southside of Chicago, played baseball at Fenger High School, and joined the Marine Corps right after graduating. What he cares about is his family, community, and the future of our youth.

Austin Watanabe is a Master of Architecture candidate at the University of Minnesota and a designer at Alchemy Architects. He is co-founder of Interesting Tactics, a utopic spatial practice in Minneapolis, MN.

American painter from the Washington DC metropolitan area. BFA, Corcoran College of Art & Design (2008); MFA, New York Academy of Art (2010). Copyist at the National Gallery of Art since 2012.
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Documentary-maker and video artist. Work shown at MoMA New York, Whitney Biennial, and Johannesburg Biennial. Associate Professor at the School of the Art Institute of Chicago.
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Born San Francisco, 1987. MFA, SAIC 2014. Exhibited at Elmhurst Art Museum and Harvard Film Archive. 2014 Clare Rosen and Samuel Edes Foundation Prize for Emerging Artists. Lives and works in New York, NY.

6.75 × 4.5 inches  -  150 pages  -  4-color digital offset, with slipcover  -  Printed in U.S.A.
ISBN   2578-5230

How does an individual or group enforce their will upon another without the use of violence? In government these procedures are referred to as sanctions, often foregoing or preventing military intervention. These measures rarely result in the desired change, meaning their implementation is far less effective than their proposition. This second issue presents contributions from writers and artists whose work undermines dominant power structures through research, aestheticization, activism, and self-reflection.

Contango Journal Issue 2 — Sanctions Contango Journal Issue 2 — Sanctions interior

Brian R. Early is the Director of the Center for Policy Research and an Associate Professor of Political Science at the University at Albany, SUNY, and the founding Director of the Project on International Security, Commerce, and Economic Statecraft (PISCES). Savanah Courtney is earning degrees in Public Policy and Cybersecurity, Homeland Security, and Emergency Preparedness at the University at Albany, SUNY.

Maggie Sivit is a Ph.D. candidate in cinema and media studies at the University of Chicago. Her areas of interest include network aesthetics, semiotics, and new media. She is currently working on a project related to video evidence in U.S. law courts.

Nick Russell began studying nuclear weapons in 2009 while on assignment for the Fermilab/SLAC publication Symmetry to document the current state of Department of Energy National Laboratories. Nick maintains a small photography and video production company called Light & Noise, Inc. with his business partner Charles Witherspoon.

Interdisciplinary artist based in New York City. BFA, School of the Art Institute of Chicago (2015). Work shown nationally at the Bruce High Quality Foundation (NYC) and Julius Caesar (CHI), and internationally at ArtSpace Mexico (DF) and Ginny Projects (LDN). In 2017 protested at the Whitney Biennial in conversation with Hannah Black, addressing institutionalized insensitivity towards Black bodies in museums.
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Artist, writer, and founding member of the collective MATERIAL GIRLS. Work shown internationally at The Museum of Human Achievement, SPRING/BREAK Art Show, MoCA Cleveland, and others. Published in Foundations Magazine and the Atlas Review. BA, Oberlin College. Lives and works in Brooklyn, NY.
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(b.1984) Lives and works in Tel-Aviv. MFA, School of the Art Institute of Chicago; BFA, Bezalel Academy of Art and Design, Jerusalem. Solo exhibitions at the Petach Tikva Museum of Art, Randy Alexander Gallery (Chicago), and Ha's Kibbutz Gallery (Tel Aviv). Work also presented at Sotheby's Gallery London, among others.
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Painter living and working in New York. BA with Honors in Visual Arts and BA in Economics, University of Chicago (2016).
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6.75 × 4.5 inches  -  126 pages  -  4-color digital offset, with slipcover  -  Printed in U.S.A.
ISBN   2578-5230

Auctoritas is a form of authority created primarily through an individual's charisma. In politics, it is what remains when law is wholly suspended. If left unchecked, it can become a self-appointed legitimacy so powerful that neither reason nor fact can change its direction. For its first issue, Contango has sourced works from writers and artists who deal with social and political power relations.

Contango Journal Issue 1 — Auctoritas Contango Journal Issue 1 — Auctoritas interior Contango Journal Issue 1 — Auctoritas interior Contango Journal Issue 1 — Auctoritas interior Contango Journal Issue 1 — Auctoritas interior

PhD candidate in Political Theory at Northwestern University (Dept. of Political Science). His interests are predominantly in Critical Theory and American Pragmatism.

Chair and Lead Researcher of the Berkeley Center for Right-Wing Studies at the University of California.

PhD candidate in Religion and Literature at the University of Chicago. His research interests include angelology, shamanism, and the theological erotic.

Adjunct Associate Professor at the School of the Art Institute of Chicago and a Lecturer at the University of Chicago.

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6.75 × 4.5 inches  -  120 pages  -  4-color toner, with slipcover  -  Printed in Chicago, IL
ISBN   2578-5230

About

Contango Journal (2017–2020) was an independent journal of art and critical essays founded by Lucas Briffa and Chris Cunningham in 2016. Each issue centered on a current social theme and featured contributions from writers, artists, and interdisciplinary practitioners. Produced in Chicago and distributed nationally, the publication concluded in 2020 and is now maintained as an active archive; its three issues remain available for purchase at Buddy.


In commodities trading, contango refers to a condition in which future prices surpass present ones— allowing profit to emerge from speculation instead of production. Contango Journal adopted the term as a conceptual framework, interrogating how economic systems manufacture ambiguity, who profits from opacity, and what disappears when the distance between value and price is framed as an opportunity rather than a crisis.

Contact

For issue sales or general correspondence.

connect@contango.us